top of page

個人介紹(Personal Profile)

WuTsungYen_edited.jpg

我來自臺灣,在最南端的城市-屏東

        來自臺灣屏東,從小就喜歡去接觸自然環境。小時喜歡自己動手做東西。直到大學與研究所進入藝術創作,必須將所有時間都專注於各種術科。或許是真的喜愛,始終可以不眠不休花時間創作。

        工作室成立於三義,參與了兩次「三義木雕薪傳營」、「新竹傳統鑿花進階班」、「木工家具設計應用營」、「臺灣工藝之家推廣及傳承計畫-木雕技藝」、「I-koko 石的一系列I石雕創作人才培育工作坊」、「國立臺灣工藝研究發展中心《繪土尋根-陶瓷工藝人才培訓營》」等,受到很多老師的協助與指導。

以及在「新北市鶯歌陶瓷博物館陶藝駐村」、「《感動、心動、行動》酒桶山藝術季駐村創作」,各種經驗使得在思考創作時,更有不同的角度與方式來製作呈現。

        藝術創作主軸以自然環境為概念,而自身處於人的文明與科技下,皆會有牽涉到自然資源與能源使用,以及人與環境的互相影響,與觀察整體大環境下的反思。

        由於關注於自然環境,因而使用自然材料,如土、木、石作為創作媒材,除了讓原生面貌的展現外,在自然資源的耗竭下,並非用完整與完美的素材,更能直接傳達自然環境資源的消逝。也運用多樣媒材的特性,以及不同技法的結合,創造出更多變的樣貌。

        創作形式主要分為兩類,一部分以抽象形式,將自然特有性質直接展現,讓觀者能夠感受這原始的樣貌;另一部分使用具體形象的語彙,將較為看出地球,與自然環境中的事物形體,以及生活中的事物等,企圖帶入人的存在與介入。

        希望能帶給觀者,要了解並珍惜所擁有的環境外,同時也必須自我反省與謹慎地與環境相處,來達到人與自然環境的平衡,也期許著環境永續的到來。

        另外較實用工藝的創作,由於自己在創作中,內心認為藝術是從人出發,不該離人太遠,而生活中理當如此,期望能透過雙手實踐,使創作概念帶回生活,將自然當中體會的感受,藉由創作傳遞給大家。

I am from Taiwan, in the southernmost city-Pingtung

Creation spindle

Taking the natural environment as the main concept, and under human civilization and technology, there will be related to the use of natural resources and energy, as well as the interaction between people and the environment, and the reflection under the overall environment. Due to the focus on the natural environment, the use of natural materials, such as earth, wood and stone as creative media, can not only show the original appearance, but under the depletion of natural resources nowadays, it is not a complete and perfect material, but can directly convey environmental resources. The passing away. It also uses the characteristics of various media to combine to create more varied appearances.

The forms are mainly divided into two categories. One part is an abstract form that directly shows the unique nature of nature so that the viewer can feel the primitive appearance; the other part uses the vocabulary of concrete images to more clearly see things in the earth or natural environment. As well as objects in daily life, it is an attempt to bring people's existence and intervention. It is hoped that the viewers should understand and cherish the environment they possess. At the same time, they must self-reflection and cautiously get along with the environment in order to achieve a balance between man and the natural environment, and also look forward to the coming of environmental recovery.

In addition, I also do some more practical creations. Because I believe that art starts from people in my creation, it shouldn’t be too far away from people, but it should be the case in life. I hope to make creation through practice with both hands. Bring the concept back to life and pass on the natural experience to everyone.

bottom of page